In 1996, I picked up a type specimen book at the Chicago Printera��s Row book fair. The one typeface that intrigued me most was Gothic No. 60. The specimen page was not complete. As an assignment in graduate school, I drew the most distinct letters from each size to make a unified, digitized version of the face. The idiosyncracies in the typeface are a combination of the original metal face and my novice abilities. 2004.